Tuesday, 3 December 2013

Covert Messiah



The origin of the Christian religion has been a subject steeped in mystery for nearly 2000 years. Who was Jesus? Is he an historical character? Who wrote the Gospels? Why are they written in Greek? Why did they have a pro-Roman and anti-semitic perspective? Why was the religion headquartered in Rome? Caesar’s Messiah: The Roman Conspiracy to Invent Jesus is a documentary based on the best selling religious studies book by Joseph Atwill. Atwill is one of a number of scholars today from all around the world, who are questioning the historic facts behind these mysterious origins of Christianity. When examining the actual history of this era, many of the answers provided by the Church do not hold up to rigorous scrutiny. No doubt, Christianity has done a lot of good for the world, but a lot of bad has come from its most dogmatic believers, who create wars, hatred, and other harm under the disguise of religion. In studying how Christianity emerged, the seven controversial Bible scholars featured in this film agree that it was used as a political tool to control the masses of the day, and is still being used this way today. For example, support for the wars in the Middle East is preached to Evangelical Christians as a way to speed up the coming of the End of Days. Maybe we need to expand the possible answers about how Christianity originated, and deeper questions need to be asked. Maybe we need to examine what political motives were behind the formation of the Christian religion?

The documentary begins with a brief history of the political and religious climate of Judea in the first century CE – the era during which Christianity emerged. Judea was occupied by the Roman Empire, which required them to worship Caesar as a god. The Jews found this blasphemous, and they waged constant rebellions against the Empire. Their religious scriptures prophesied that a militaristic warrior Messiah would defeat the Romans and lead the Jews to liberation. A string of numerous Messiahs presented themselves to lead the people in war against Rome, only to be defeated and crucified – a customary Roman punishment for insurgents of the day. However, the Roman government was growing weaker from over a century of increasingly corrupt rule by the Julio‐Claudian dynasty — the last emperor of this lineage being Nero, who was bankrupting the Empire with his self‐indulgence. In their greatest victory, the messianic Jews finally succeeded in burning Rome and driving the Romans out of Judea. This caused Nero to call upon his best military men, the Flavians – Vespasian and his son Titus — to crush the rebellion for good. The Flavians succeeded not only in destroying the Jewish towns of Galilee and their temple in Jerusalem, but after Nero was deposed and committed suicide, they seized the throne through a military coup and took over reign of the Roman Empire itself. Under the Flavians, the Empire flourished, and many great monuments were built including the famous Coliseum. In order to pacify the Jewish rebellion, they captured and burned all the Jews’ scriptures. It is around this time that a new literature emerged with the story of a very different Jewish Messiah – one who preached “give to Caesar what is Caesar’s”, “turn the other cheek”, and “love your enemy”.

Kenneth Humphreys on the historicity of Jesus: "[It's] a dilemma for those who believe in him. Because on the one hand he supposedly overturned the world, it turned the world upside-down and triggered off this massive movement, but on the other hand he leaves no trace in historical record."

The second half of the documentary focuses on the documents the Flavians left behind which prove their authorship of the Gospels. The Bible scholars deconstruct the Gospels and the character Jesus, showing that they are based on archetypes found in the ancient pagan mystery schools and in earlier Jewish literature. Much of the teachings of Christianity are traced back to the writings of Philo of Alexandria — who was combining Jewish scripture with Greek pagan beliefs — and Stoicism, a philosophy promoted by the Flavians. When the Flavians seized control of the Roman Empire, they needed to legitimise their rule, so they had their Jewish court historian Josephus (originally Yosef ben Matityahu who adopted the name Titus Flavius Josephus) create a large body of work which became the only official history we have of the Jewish-Roman War.

Bible scholar Joseph Atwill noticed many parallels between this historic account of the war and the events in the life of Jesus in the Gospels. Through his study of the ancient Greek texts and his discovery of an antiquated Hebrew literary genre, he found dozens of parallels between the Jesus story and the war history that occurred in the exact same sequence. This shows that the events of Jesus’ life which supposedly took place forty years earlier, were actually all dependent on the events in the military campaign of the Roman Caesar Titus Flavius. Ancient texts were much more allegorical, multi-layered and complex than today’s writing, and when you read the Gospels and the histories of Josephus side by side, a new meaning arises which reveals the authors of the Gospels to be the Roman Flavian Caesars, their co-conspirators, and their literary team.

Along the way, the Bible scholars show how the Roman Imperial Cult — set up to worship Caesar as a god — formed the basis for the Roman Catholic Church, and that some of the Church’s first saints were members of the Flavian court. Atwill also shows how the “second coming of the Christ” referred to a historical event that already occurred. Featuring scholars Joseph Atwill, Robert Eisenman, John Hudson, Ken Humphreys, Rod Blackhirst, Acharya S / D.M. Murdock, and Timothy Freke, this ground-breaking documentary not only gives us a revolutionary new understanding of the origins of Christianity, but shows how the political use of religion is still affecting our personal lives today. We currently live on the brink of an immense paradigm shift, and this modern time is very parallel to the era in which Christianity emerged. Studying this ancient era can give us the much-needed perspective for coming up with solutions to today’s problems, so we can create the better world that we envision.

The New Testament was written by first-century Roman aristocrats and that they fabricated the entire story of Jesus Christ. 

Although to many scholars his theory seems outlandish, and is sure to upset some believers, Atwill regards his evidence as conclusive and is confident its acceptance is only a matter of time. "I present my work with some ambivalence, as I do not want to directly cause Christians any harm," he acknowledges, "but this is important for our culture. Alert citizens need to know the truth about our past so we can understand how and why governments create false histories and false gods. They often do it to obtain a social order that is against the best interests of the common people."

Atwill asserts that Christianity did not really begin as a religion, but a sophisticated government project, a kind of propaganda exercise used to pacify the subjects of the Roman Empire. "Jewish sects in Palestine at the time, who were waiting for a prophesied warrior Messiah, were a constant source of violent insurrection during the first century," he explains. "When the Romans had exhausted conventional means of quashing rebellion, they switched to psychological warfare. They surmised that the way to stop the spread of zealous Jewish missionary activity was to create a competing belief system. That's when the 'peaceful' Messiah story was invented. Instead of inspiring warfare, this Messiah urged turn-the-other-cheek pacifism and encouraged Jews to 'give onto Caesar' and pay their taxes to Rome."

Was Jesus based on a real person from history? "The short answer is no," Atwill insists, "in fact he may be the only fictional character in literature whose entire life story can be traced to other sources. Once those sources are all laid bare, there's simply nothing left."

Atwill's most intriguing discovery came to him while he was studying "Wars of the Jews" by Josephus [the only surviving first-person historical account of first-century Judea] alongside the New Testament. "I started to notice a sequence of parallels between the two texts," he recounts. "Although it's been recognised by Christian scholars for centuries that the prophesies of Jesus appear to be fulfilled by what Josephus wrote about in the First Jewish-Roman war, I was seeing dozens more. What seems to have eluded many scholars is that the sequence of events and locations of Jesus ministry are more or less the same as the sequence of events and locations of the military campaign of [Emperor] Titus Flavius as described by Josephus. This is clear evidence of a deliberately constructed pattern. The biography of Jesus is actually constructed, tip to stern, on prior stories, but especially on the biography of a Roman Caesar."

How could this go unnoticed in the most scrutinised books of all time? "Many of the parallels are conceptual or poetic, so they aren't all immediately obvious. After all, the authors did not want the average believer to see what they were doing, but they did want the alert reader to see it. An educated Roman in the ruling class would probably have recognised the literary game being played." Atwill maintains he can demonstrate that "the Roman Caesars left us a kind of puzzle literature that was meant to be solved by future generations, and the solution to that puzzle is 'We invented Jesus Christ, and we're proud of it.'"

Is this the beginning of the end of Christianity? "Probably not," grants Atwill, "but what my work has done is give permission to many of those ready to leave the religion to make a clean break. We've got the evidence now to show exactly where the story of Jesus came from. Although Christianity can be a comfort to some, it can also be very damaging and repressive, an insidious form of mind control that has led to blind acceptance of serfdom, poverty, and war throughout history. To this day, especially in the United States, it is used to create support for war in the Middle East."

Atwill encourages skeptics to challenge him at Conway Hall, where after the presentations there is likely to be a lively Q&A session. Joining Mr.Atwill will be fellow scholar Kenneth Humphreys, author of the book "Jesus Never Existed."

Further information can be found at http://www.covertmessiah.com.

Saturday, 14 September 2013

THE ORIGIN OF THE CHURCH TERM (HYMN)




THE ORIGIN OF THE CHURCH TERM (HYMN)

We've Been Hellenized: *Hellenize - to make Greek in character; to adopt Greek ideas, or customs; to imitate the Greeks. (See Greek, Greek Love, Gray)

Hymn (n.)
c.1000, from Old French ymne and Old English ymen, both from Latin hymnus "song of praise," from Greek hymnos "song or ode in praise of gods or heroes," used in Septuagint for various Hebrew words meaning "song praising God." Possibly a variant of hymenaios "wedding song," from Hymen, Greek god of marriage (see hymen), or from a PIE root *sam- "to sing" (cf. Hittite išhamai "he sings," Sanskrit saman- "hymn, song") http://www.etymonline.com/index.php?allowed_in_frame=0&search=hymen&searchmode=none

HYMN = HYMEN

HYMEN or HYMENAEUS (Hymên or Hymenaios), the god of marriage, was conceived as a handsome youth, and invoked in the hymeneal or bridal song. The names originally designated the bridal song itself, which was subsequently personified. The first trace of this personification occurs in Euripides (Troad. 311), or perhaps in Sappho ( Fragm. 73, p. 80, ed. Neue). The poetical origin of the god Hymen or Hymenaeus is also implied in the fact of his being described as the son of Apollo and a Muse, either Calliope, Urania, or Terpsichore. (Catull. lxi. 2; Nonn. Dionys. xxxiii. 67; Schol. Vatic. ad Eurip. Rhes. 895, ed. Dindorf; Schol. ad Pind. Pyth. iv. 313; Alciphron, Epist. i. 13; Tzetz. Chil. xiii. 599.) http://www.theoi.com/Ouranios/ErosHymenaios.html



 Etymologies

From Latin hymenaeus, wedding song, wedding, from Greek humenaios, from Humen, Hymen, from humen, membrane; see hymen,Maidenhead.

Hymen(noun)a fold of muscous membrane often found at the orifice of the vagina the vaginal membraneHymen(noun)a fabulous deity according to some the son of Apollo and Urania according to others of Bacchus and Venus He was the god of marriage and presided over nuptial solemnitiesHymen(noun)marriage union as if by marriage

The derivation of the word, "hymen" is a bit more confused. This word for the vaginal membrane could come from hymnos, for wedding song, or from the Greek humen, meaning membrane, or from the god of marriage (Hyman in Greek, Hymen in Latin). It's unsure whether the god took his name from the membrane, or the membrane was named after the god. *Hero - There is a huge difference between the modern definition and the classical definition for this word. In early Greek mythology, a hero is any offspring of a mortal being with an immortal one. The Christian cross and the church (vagina) and the steeple (Penis) Represents one of the sacred marriage symbols.


A hymn is a type of song, usually religious, specifically written for the purpose of praise, adoration or prayer, and typically addressed to a deity/deities, a prominent figure or an epic tale. The word hymn derives from Greek hymnos "a song of praise".

Hymenaios (also Hymenaeus, Hymenaues, or Hymen; Ancient Greek: ?µ??a???) was a Greek god of marriage ceremonies, inspiring feasts and song. He was celebrated in the ancient marriage song of unknown origin Hymen o Hymenae, Hymen delivered by G. Valerius Catullus, which both the terms hymn and hymen are derived from..

Ancient hymns include the Great Hymn to the Aten, composed by Pharaoh Akhenaten, and the Vedas, a collection of hymns in the tradition of Hinduism. The Western tradition of hymnody begins with the Homeric Hymns, a collection of ancient Greek hymns, the oldest of which were written in the 7th century BC, in praise of the gods of Greek mythology.

African-Americans developed a rich hymnody from spirituals during times of slavery to the modern, lively black gospel style.

If you thought this is all you have about sex worship in Xtianity, here is more.

Now what do you think the church steeple signifies?
1. A steeple or tower in association with a place of worship was a feature of ancient paganism, oriented to sun worship and fertility cultus. A common form, especially in Egypt, followed the geometric figure known as obelisk, which in places served also as a phallic symbol. Phallic worship in ancient Greece centered around Priapus (the son of Aphrodite) ... of this filtration by placing the vulgar phallic symbol upon YOUR church roof ! http://www.remnantofgod.org/steeple.htm Steeples, the pointed roofs of churches, have been included in church buildings since the conversion of Constantine and his proclamation making Christianity the official religion of his state. The origins of steeples, however, have been traced back to several different traditions.


Read more: What Is the Origin of Church Steeples? http://www.ehow.com/about_5052101_origin-church-steeples.html#ixzz25IH9e9HS

As Goddess-dominated religions made the YONI their holiest symbol, so God-dominated religions adored the PHALLUS. Patriarchal Semites worshiped their own genitals, and swore binding oaths by placing a hand on each other's private parts, a habit still common among Arabs.Words like TESTAMENT, TESTIFY, and TESTIMONY still "at TEST" to the oaths sworn on the TESTICLES.


John 4:22
Common English Bible (CEB)

22 You and your people worship what you don’t know; we worship what we know because salvation is from the Jews.

As Goddess-dominated religions made the YONI their holiest symbol, so God-dominated religions adored the PHALLUS. Patriarchal Semites worshiped their own genitals, and swore binding oaths by placing a hand on each other's private parts, a habit still common among Arabs.  Words like TESTAMENT, TESTIFY, and TESTIMONY still "at TEST" to the oaths sworn on the TESTICLES.

Abraham's servant swore by placing his hand "UNDER THE THIGH" of his master (Genesis 24:9) because "THIGH" was a common euphemism for "PENIS", used in superstitious fear of mentioning the divine organ directly. Myths of male psuedo-birth-like ZEUS'S FATHERHOOD of DIONYSUS-made the offspring come forth from the father's "THIGH". But the meaning was "PENIS", as in the HINDU myth that substituted the lingam for the YONI: god SUKRA (SEED) came out of the stomach of the Great God by way of his penis.

Jewish Rabbi Explains Why Baby Penis Is To Be Sucked

Jewish Talmud Recipe For Pedophilia and Murder

The Bible calls JACOB'S penis the SINEW that SHRANK, lying "upon the hollow of the thigh". Scholars have tried to interpret this limp penis as something else; a severed tendon, or a certain thigh muscle, which Jews were forbidden to eat (Gen.32:32). But medieval translators frankly recognized the PHALLIC meaning of the "SINEW". They said the god-man's blighting touch on Jacob's shrunken member was "to cool the fires of concupiscence".

Biblical patriarchs worried inordinately about the vulnerability of the penis and avoided direct mention of it lest evil spirits be drawn to it.


Old Testament laws reveal a special fear of women's power over the penis. God's commandment was that A woman who grabs a mans genitals must have her hands cut off, even if she does it to defend her husband against an enemy (Deuteronomy 25:11-12).

Why only 9/11 is so atrocious for the new world?




The last of the fullblooded abOriginal Natives of Australia, to be captured and enslaved by the white=Christian so-called new settlers.. a.k.a rather invading christian=white crusaders... anyways these black abOriginals are from the Yolngi/Yolngo tribe's of northern Australia's arnhemland...Behold the True black abOriginal Melanin-blessed Darkskinned Natives of Australia, and amongst the 1st of all human-kind to migrate out of Africa in Ancient pre-historic times of the human migrations of this world we call earth..

The native abOriginals of Australia and Papua, migrated out of north-eastern Africa between the East-African countries called Sudan, Somalia, tanzania and the african Sahara, before the Sahara desert transformed into a desert thousands upon thousands of years ago, even before Ancient Egyptian dynastical times...




When I show pictures like this, of atrocities, actual historical images, i am not infrequently told that i am stirring up hatred. sometimes even black people say this. but who accuses jewish people of stirring up hatred when they show pictures from the holocaust? Don't we also deserve to know about our history? and should not we also never forget or allow the world to forget? is our pain and suffering any less than others? or is this part of our history simply, for others at least, an inconvenient truth?

Here's a quote from Jefferson Davis "It [slavery] was established by decree of Almighty God...it is sanctioned in the Bible, in both Testaments, from Genesis to Revelation...it has existed in all ages, has been found among the people of the highest civilization, and in nations of the highest proficiency in the arts...Let the gentleman go to Revelation to learn the decree of God - let him go to the Bible...I said that slavery was sanctioned in the Bible, authorized, regulated, and recognized from Genesis to Revelation...Slavery existed then in the earliest ages, and among the chosen people of God; and in Revelation we are told that it shall exist till the end of time shall come. You find it in the Old and New Testaments - in the prophecies, psalms, and the epistles of Paul; you find it recognized, sanctioned everywhere. "In another area of human rights, many Christian clergymen advocated slavery. Historian Larry Hise notes in his book 'Pro-Slavery' that ministers 'wrote almost half of all defenses of slavery published in America.' He lists 275 men of the cloth who used the Bible to prove that white people were entitled to own black people as work animals."

[James A. Haught, 'Holy Horrors'](I LOVE BEING AFRICAN).

"Long before the invasions of Africa by Asians and Europeans and the subsequent capture and kidnapping of African people and their forcible removal to the Americas, African people migrated as free men and women to the far corners of the earth. This had nothing to do with Pangaea or continental drift. The descendants of these ancient Africans reside by the millions today in Asia, Australia and the Pacific. These are the Black people who so astound and puzzle so many of us today because we have been programmed, some would say bamboozled, to believe that the only reason that Black people exist outside of Africa today is because of enslavement and the rape of Africa. It is time that we step out of this void of ignorance and recognize that we are a global people with rich and diverse histories."

--Runoko Rashidi

Thursday, 12 September 2013

Massacre of Buddhism: Ongiin Khiid

I had no idea, when I agreed to help my friend Susan celebrate her 50th birthday by going with her to Mongolia, that I'd end up standing in a place that would make me feel some of what I felt in Auschwitz-Birkenau: the ruins of the Buddhist temple complexes of Ongiin Khiid in the Gobi Desert.

Susan and I had just finished a three-day horse trek to the lakes of Naiman Nuur so we were mostly focused on getting a hot shower and a restaurant meal -- the short walk to see the local sites was an afterthought. And it was a pretty raucous walk at that, what with peals of laughter from three small boys who kept sneaking up behind us and then running away again when we turned to look. I bother to tell you this to explain how blind-sided I was by my feelings as I began to understand what I was looking at -- and the scale of it.

Ongiin Khiid is now mostly just the smashed remnants of two enormous monastery complexes (Barlim Khiid and Khutagt Khiid) on either side of the only year-round river that runs through Dundgovi province in southern Mongolia. They were destroyed in 1938. What's left of the original buildings and the communities that supported them are the foundations of countless buildings, a few feet of wall here, some broken bits of adornment there.

In person, the ruins of Ongiin Khiid were devastating but, because the buildings were made of the earth at the site, the vast and overwhelming scope of the wreckage is difficult to convey in photographs. There were  ruins as far as you could see. The wrecked altar alcove that once housed a Buddha icon overlooked it all. 

I cannot explain the effect of this site on me. We'd already been to two other ruined and slightly rebuilt monastery sites, Erdene Zuu (pix here) and Tuvkhen.( pix here) They were a mix of sad and hopeful, touristy and sacred, run-down and beautiful. But the raw violence of the destruction at Ongiin Khiid was still visible, still palpable, even though it happened over seventy years ago. 


 for more read...
http://marleytheheathen.blogspot.in/2012/08/massacre-of-buddhism-ongiin-khiid.html 

Saturday, 31 August 2013

Adivasi agitate for removal of ‘tribal’ Virgin Mary statue -- Anumeha Yadav

Religious leaders of the Sarna tribe have announced an agitation this December demanding that a statue of Virgin Mary be removed from a Catholic parish church in Singpur.

The religious leaders described the statue — Virgin Mary, hair tied in a bun, dressed as a tribal woman in a traditional red and white sari, wearing bangles and depicted holding an infant in a sling — as a proselytising ploy. Sarna religious leaders announced the agitation after the police imposed IPC Section 144 and stopped them from marching to the church in question on Sunday.


“We met the church representatives in May and had offered them three months to remove the statue. But the talks broke down because they ignored our request. They have dressed the statue in our traditional clothes so that over time the nature-worshipping tribals here start associating Mother with a tribal woman. This is a strategy for conversion and to attack our distinct culture,” said Sarna dharamguru Bandhan Tigga.

“We have announced our agitation to oppose not just this but other attacks on our faith in Bible Society publications which give false accounts of our religious practices describing them as uncivilised,” he alleged.

More than 27 Sarna religious groups have publicly demanded the removal of the statue, unveiled by the Archbishop of Ranchi Cardinal Telesphore Toppo, since May.Earlier in July, in villages near Ormanjhi, 20 km from Ranchi, members of the Protestant Assembly of God church had reported that some Sarna Adivasi leaders had threatened them with violence if their families did not convert back to the Sarna faith — a threat they said had occurred a few days after the statue controversy erupted.

“Three days after the statue was unveiled by Catholic priests, the Sarna society leaders called some families who had converted to Christianity several years ago in Ormanjhi and gave them a week to convert back to the Sarna faith. A week later, some men from the same group arrived in the village and broke the gate of one of our community member’s house,” said the pastor of a church in Ormanjhi who did not wish to be identified. A First Information Report was registered in the Ormanjhi police station.

The Catholic church has so far refrained from commenting on the controversy. “We wish to remain silent and have had no discussions amongst ourselves on this subject,” said Father Theodore Toppo.

“This is not a constructive approach by leaders of the Sarna faith and takes the focus away from more serious issues that affect tribals of all faiths, such as tribals’ rights to resources and land and their other constitutional rights. At the same time, the church representatives should come out of their shell, be gracious and offer to remove the statue and make a clear statement that we do not wish to offend anyone’s sentiments,” said Father Stan Swamy, a social activist.


http://www.thehindu.com/news/national/other-states/adivasi-group-to-agitate-for-removal-of-tribal-virgin-mary-statue/article5062363.ece?homepage=true&css=print